Say it isn’t so! After five seasons, we are wrapping up our podcast about Korean Americans in arts and culture. For the final episode of K-Pod, co-hosts Catherine Hong and Juliana Sohn look back on the series and recall some favorite moments, from creative director Ji Lee on the value of pursuing personal projects to interior designer Young Huh’s case for beauty in everyday life. They also reveal dream guests they wish they had gotten (Sandra Oh); the one episode Juliana’s son actually listened to (Michelle Zauner); and what’s next for KoreanAmericanStory.org in its mission to heal generational trauma through storytelling. Our deepest thanks to our supporters and everybody who listened to K-Pod. 감사합니다!

Continuing their special series on cultural topics, Catherine and Juliana discuss the ways Korean Americans are observing age-old traditions like Paebek (wedding tea ceremony), Dol (first birthday) and Jesa (ancestor veneration). Their first guest is event planner Christine Chang of Live Love Create in Los Angeles, who explains how her wedding and Dol clients are honoring their heritage in a “fusion” style that feels relevant to them. (Think: a shorter, more inclusive Paebek or a golf ball included in the doljabi.) Next, they chat with mother-daughter duo Laura Park and Estella Riahi of Leehwa Wedding & Hanbok, a sought-after hanbok studio where LA’s Korean community have been ordering custom garments since the early 1990s. Catherine and Juliana learn how hanbok styles have evolved and how Leewha has become the go-to source for celebs looking for hanboks for awards season. Finally, the hosts speak with Jennifer Kim, aka Mudang Jenn, a shaman based in New York who explains the tradition of Jesa and how Korean Americans are adapting the ritual for today.

Christine Chang of Live Love Create Events @livelovecreate

Leehwa Wedding & Hanbok @leehwawedding

Mudang Jenn @shaman.mudang

While Korean immigrants are notorious for pushing their kids to become doctors, it’s worth remembering that Koreans have cultivated their own age-old approach to wellness for over 5,000 years. Hanbang – aka traditional Korean medicine – encompasses acupuncture, herbs and cupping and has lately attracted a surge of interest among both Korean Americans and Westerners. Continuing our special series on cultural topics, our hosts sit down with two respected practitioners, Dr. Erin Lee and Dr. Robert Lee, to gain an understanding of this often misunderstood field. Juliana (a Korean medicine adherent) and Catherine (a semi-skeptic) get a chance to ask their burning questions, including: How does Korean medicine differ from Chinese medicine? Is there clinical proof of the effectiveness of herbal remedies? How exactly does acupuncture work — and is it the same thing as “dry needling?” Why do Koreans fear sleeping with fans? What is cupping? How can patients find a good acupuncturist? And what’s the deal with the deer antlers anyway?

Dr Erin Lee on Instagram @workinprogressacu

Whether you’re a fluent Korean speaker or barely capable of uttering 안녕하세요, this episode is for you! Kicking off our new series on cultural topics, K-Pod pays a visit to Young-mee Yu Cho, Rutgers University Professor of Korean Language and Culture. As co-author of the widely-used textbook series Integrated Korean, Cho has shaped how Korean language is taught in the States today. She dives into all of Catherine and Juliana’s questions, including: What are some Korean words that don’t exist in English? Why is Korean so hard for English speakers to learn? Is Han really the defining characteristic of Korean culture? Should we be spelling 떡볶이 “Dukbokki,” “tteokbokki,” or “teokbokki?” What’s up with the one-syllable names? How has the language changed from the time our parents immigrated? And finally… why are Korean mothers always telling us that we might as well kill ourselves?

K-Pod is back! To kick off Season 5, co-hosts Catherine Hong and Juliana Sohn present a special two-parter. First, they preview the upcoming season, which, as they explain, will look a bit different this time around. Instead of focusing on the lives of individual artists and creatives, they’ll be chatting with experts on a range of Korean American cultural topics. The first of these episodes will focus on language; other episodes in the works will center on Korean cultural traditions and celebrations, Korean American mental health and traditional Korean medicine. (Bet you didn’t know that Juliana’s dad made her and her sisters drink deer blood!) In part two of the episode, we take the time to get to know our co-hosts a little better.  Juliana and Catherine discuss being moms of halfie (sorry, “biracial”) children, Juliana’s family’s reaction to her divorce, Catherine’s dad’s touching 87th birthday and the importance of preparing legacy portraits. Bonus: check out the YouTube version to see Catherine’s dog sauntering around her living room.

Daniel K. Isaac is best known for his ensemble role on the Showtime series Billions where he plays portfolio manager Ben Kim. But 2022 was a pivotal year for the actor and playwright, whose passion is the stage. He starred in The Chinese Lady at the Public Theater; he made his playwriting debut with Once Upon a (korean) Time for the Ma-Yi Theater Company; and he’s currently starring opposite Linda Lavin in You Will Get Sick at the Roundabout Theater. Daniel was born in Southern California, the only child of a single mother active in her evangelical Korean church. As a gay teenager, he struggled against his sexual orientation and even underwent conversion therapy. (Spoiler alert: It did not work.) In a candid, funny and yes, raunchy, conversation he opens up about his early sexual experiences, his estrangement from his father and his ongoing conflict with his mother, who disowned him when he was in college and is still “in the closet” about being the mom of a gay son — despite the fact that Isaac has turned many of her remarks into the viral hashtag #accordingtomymother. Prepare to laugh, cry and cover your young children’s ears.

Marie Myung-Ok Lee is the author of the acclaimed novel The Evening Hero, a darkly comic story about a Korean American doctor in rural Minnesota facing retirement and the resurgence of long-buried secrets from his past. A professor of creative writing at Columbia, Marie grew up in the rural town of Hibbing, MN, in a community very much like the one in her novel, where her father was the area’s only anesthesiologist. In a lively conversation with Juliana and Catherine at her home on the Upper West Side, Marie shares stories about her parents (who were among the earliest Korean immigrants to the States, arriving in 1953) and their determination to raise their four children to be as assimilated as possible, not even revealing their Korean names. Juliana and Catherine hear about Marie’s short-lived days as a pre-med student at Brown, her post-grad years at Goldman Sachs while working on her first book (the YA novel Finding My Voice) and the origins of the influential Asian American Writers’ Workshop, which she co-founded with three friends at a downtown diner 31 years ago. They also discuss Marie’s lively social media profile and her now-famous advocacy for cannabis treatment to treat severe autism, inspired by her son, Jason.

Kathleen Kim is the talented puppeteer behind Ji-Young, the electric guitar-playing, ddukbokki-eating seven-year-old Muppet character who made her debut on Sesame Street last fall. Kathy was born in Flushing, Queens to parents who immigrated to the States in the 1970s. Puppeteering was just a hobby until 2014, when Kathy — who had been working as a reality TV producer — was accepted into a program at Sesame Workshop and found herself fast-tracked into the niche world of professional puppetry. Kathy tells Juliana and Catherine how she first fell in love with the craft; what it’s like working on set alongside Cookie Monster, the Honkers and Abby Cadabby; and her experience hearing from so many Asian Americans about what the existence of a character like Ji-Young has meant to them.

In recent years we’ve seen a boom of Asian American actors in film and TV. But for decades, John Cho was practically the only one. He first came to fame in 2004 playing Harold in the Harold and Kumar films, a role that challenged many people’s ideas about what a leading man could look like. He’s built his career thoughtfully ever since, taking roles (Sulu in the Star Trek films, Spike Spiegel in Netflix’s Cowboy Bebop) that don’t play into negative stereotypes. The son of a minister, Cho was born in Seoul and moved to the States when he was six. He has just written his first book, Troublemaker, a middle grade novel about a 12-year-old Korean American boy’s experience of the LA riots. In a candid and open conversation, Cho recalls his own experience of 사이구(SaIGu), his memories of growing up in the church and the bottled up anger he’s often felt as an Asian American man. Juliana and Catherine also get to hear about Cho’s love of Little House on the Prairie and how books helped him through his peripatetic childhood.